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Tyler Childers turns a rabies threat into real craft on “Bitin’ List”

A darkly comic, twang-soaked revenge fantasy in which Childers promises to bite and infect an enemy should he ever catch rabies — unhinged, gleeful, and craftier than the gag lets on.

By Hank CobbEastern Kentucky, USAReviewed May 29, 2026 · 417 words · 2 min read
Release
“Bitin’ List”
Released
Verdict
8.2
Listen
Streaming embed · spotify.comOpen on Spotify ↗
“To put it plain, I just don’t like you” — and then he spends a whole song imagining how he’d give you rabies about it.

Country has a long, honourable tradition of the comic grudge song, and “Bitin’ List” is Tyler Childers driving it straight into the weeds on purpose. The premise is gloriously stupid: Childers informs an adversary that they sit at the top of his bitin’ list, meaning that if he should ever contract rabies, they’re the first person he’s coming to infect. It’s a threat with a hypothetical attached, which is somehow more menacing and more ridiculous than a plain one.

The test for a song like this is whether the joke is the whole thing or just the doorway, and Childers — to his credit — keeps walking through it. He commits to the bit with a novelist’s thoroughness, working through rabies symptoms, plotting his vindictive mission under cover of night, escalating his fury verse by verse while never quite dropping the wink. The comedy isn’t a one-liner; it’s a fully built character study of a man nursing a grudge into absurdity.

What keeps it from being a novelty throwaway is the craft underneath. The arrangement — The Food Stamps digging into something old-time-adjacent, twangy and high-energy — plays it admirably straight, letting the music stay earnest while the lyric goes feral. That contrast is the whole engine: the more unbothered the band sounds, the funnier and stranger Childers’ threats become.

It’s also, in its way, a real song about hatred — the petty, consuming, deeply human kind. Under the gag is the honest admission that sometimes you just despise someone, with a clarity polite society won’t let you voice. “Bitin’ List” gives that ugly little feeling a melody, and there’s a strange catharsis in hearing it sung so cheerfully. The joke is the delivery system; the contempt is the truth.

By the old standard — three chords and the truth, where the truth is the hard part — this is a slightly tricky case, because the song’s truth is wrapped in so much comic armour that it’s easy to enjoy the bit and miss the bite. The cost of the gimmick is depth: this is craft and audacity more than it is revelation, and a song this committed to the joke can only go so deep before the premise caps it.

Final take: “Bitin’ List” is an unhinged, gleefully nasty piece of Appalachian comedy that’s far better made than it needs to be. It won’t move you the way Childers’ best work can, but it’ll make you laugh, and it’ll convince you he meant every rabid word.

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