No. 266 · Oct 7New York · London · Berlin
Original
Music Review
Honest reviews · since 2019
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Byline · J-pop, city pop, anime soundtracks, game music

Yuki Tanaka.

Yuki Tanaka writes about Japanese pop, city pop revivals, and the music of anime and games — anywhere production polish meets melodic ambition. She's based in Tokyo and listens with an ear for what survives translation.

Reviews
3
Editor's picks
0
Avg. score
7.7
“The bridge tells the truth the chorus is selling.”

Reviews by Yuki Tanaka

3 reviews

aespa — “Serenade (KARINA & WINTER)”

"Serenade," the synth-pop duo release credited to aespa's KARINA and WINTER, opens on a contradiction: a driving, arpeggiated pulse beneath a vocal so breathy and reverb-washed it barely seems to be in the same room. That tension — forward motion locked inside something contemplative and aching — is the song's whole argument, and it makes for one of the more quietly insistent things the SM orbit has delivered this cycle.

By Yuki Tanaka7.6
AI

M!LK — “Tsumi to Batsu to Ame to Kiss (Hayato Sano & Jinto Yoshida)”

The Hayato Sano and Jinto Yoshida-credited single from J-pop group M!LK lands as a piece of orchestral pop architecture — drums driving hard, strings soaring at precisely the right moment, and a single lead vocal carrying the full emotional weight of a plea. The thesis is confession as momentum: the track doesn't wallow in guilt or silence, it accelerates through both.

By Yuki Tanaka7.8

RIIZE — “Sunburst”

"Sunburst" is a high-energy electronic pop single from RIIZE that arrives with a clean, punchy production and a chorus engineered for lift. Built on synth layers, a driving kick, and stacked vocal harmonies that surge at the top of the hook, it sells optimism not as sentiment but as momentum — the kind of track that front-loads its best argument and bets you won't need convincing twice.

By Yuki Tanaka7.6