No. 220 · Aug 22New York · London · Berlin
Original
Music Review
Honest reviews · since 2019
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Byline · J-pop, city pop, anime soundtracks, game music

Yuki Tanaka.

Yuki Tanaka writes about Japanese pop, city pop revivals, and the music of anime and games — anywhere production polish meets melodic ambition. She's based in Tokyo and listens with an ear for what survives translation.

Reviews
3
Editor's picks
0
Avg. score
7.7
The bridge tells the truth the chorus is selling.

Reviews by Yuki Tanaka

3 reviews

aespa Serenade (KARINA & WINTER)

"Serenade," the synth-pop duo release credited to aespa's KARINA and WINTER, opens on a contradiction: a driving, arpeggiated pulse beneath a vocal so breathy and reverb-washed it barely seems to be in the same room. That tension — forward motion locked inside something contemplative and aching — is the song's whole argument, and it makes for one of the more quietly insistent things the SM orbit has delivered this cycle.

By Yuki Tanaka7.6
AI

M!LK Tsumi to Batsu to Ame to Kiss (Hayato Sano & Jinto Yoshida)

The Hayato Sano and Jinto Yoshida-credited single from J-pop group M!LK lands as a piece of orchestral pop architecture — drums driving hard, strings soaring at precisely the right moment, and a single lead vocal carrying the full emotional weight of a plea. The thesis is confession as momentum: the track doesn't wallow in guilt or silence, it accelerates through both.

By Yuki Tanaka7.8

RIIZE Sunburst

"Sunburst" is a high-energy electronic pop single from RIIZE that arrives with a clean, punchy production and a chorus engineered for lift. Built on synth layers, a driving kick, and stacked vocal harmonies that surge at the top of the hook, it sells optimism not as sentiment but as momentum — the kind of track that front-loads its best argument and bets you won't need convincing twice.

By Yuki Tanaka7.6